Sometimes I wax sentimental about the Tolkien fandom past …

dawnfelagund:

I worry that I sometimes come off as idealizing the past in the Tolkien fanworks community. And there are some things that I worry about, not so much in wanting to go back but wanting to make sure that we don’t lose the good parts that are historically part of our community.

But today, I have been working on a fandom history paper and I found (via an academic source no less!) a 2004 thread that reminds me of everything I don’t miss. (I first began lurking in the Tolkien fanfic community in 2004, and reading this, I marvel that I had the courage to not only delurk but post a story and start a fanfic archive of my own.) I spent about an hour reading through it and am still only about halfway through. I stopped because it was honestly giving me a headache.

For those who weren’t around the fanfic community during the LotR film trilogy and immediately after, this thread will give you a taste of what you missed. Things I won’t miss:

  • The kinds of people who will argue that an award should be rescinded because they perceive the author has made a canon error.
  • The kinds of people who tidily define quality Tolkien fanworks by how closely they stick to canon or use other expert references in conjunction with that canon.
  • The kinds of people who think that there is an objective way to measure quality of fiction, fan fiction or otherwise, and it is a good idea to exclude people and stories on the basis of those dubious criteria.
  • The words “purple prose.”
  • People who think the aforementioned purple prose is a sign of sophisticated writing.
  • Threads stretching over hundreds or thousands of replies that never once discuss canon/characterization choices in terms of their artistic impact or merit. (Everything is canon canon canon! Which is an absolute, unshakeable, nondebatable, black-and-white, right-or-wrong entity.)
  • People who dismiss a story the moment it uses the words man or woman rather than terms like elleth or hobbit-lass. And those who dismiss entire sites for containing such stories.
  • A fandom culture that will gleefully participate on a community called fanfic_hate while also complaining that everyone is so meeeeean and point fingers at others for destroying the fandom.
  • The sorts of people who admit that they lie awake and “pray” for the rejection or failure of another author’s work.
  • People who compare a fandom award they don’t like to Nazism. (And then, when merely asked to think about the appropriateness of that comparison, flail their hands around and invoke George Orwell.)
  • People who brag about how hardcore their favorite archive is about deleting stories that don’t fit the “guidelines.” And mean it as a compliment.

Some of the issues under discussion on that thread were very legit, the hurt and anger that people felt was very real, and this thread is probably the best proof I’ve found of the deep-seated distrust and animosity that existed between members of different archives.

And certainly the Tolkien fanworks community today isn’t perfect and isn’t pure nicey-nice … but it is a relief not to have to engage in these kinds of canatic arguments anymore. (Not saying they don’t exist … but these attitudes were mainstream in the early/mid-2000s; it was hard to write fan fiction without routinely encountering them, e.g., a well-meaning friend who advised me to label a story as AU because my Elves slept with their eyes closed, and I could avoid a lot of criticism and rejection of the story on those grounds.) I like feeling that I’m making art, not little replicas of Tolkien’s books; that fan fiction is not a paint-by-numbers kit but a deeply thoughtful, critical genre in which the complexity of Tolkien’s canon is honored, not distilled down to a set of inviolable rules.

And because it’s my nature to find goodness and hope in the midst of almost anything, my research today showed that the Tolkien archives established beginning in 2004–the same time as this thread was ongoing, in fact–were actively inclusive, resisting the idea that a Tolkien archive had to police correct use of the canon and impose penalties on those who broke their laws.

vardasvapors:

YO WHAT UP I haven’t drawn a person in like 6 years, but I spent a super satisfying vacation afternoon doodling stuff. Here’s Elrond, aka, some loremaster or whatever, visiting his twin brother Elros, aka, The Founder and First Ruling King of Númenor, the Land of Gift, Kingdom of the Men of the West. They’re not very competitive.

  • Got v distracted by Elros’s warm-climate royal sandals vs Elrond’s Beleg-approved curly elf boots.
  • The ridiculous Númenórean crown design is taken from one of Tolkien’s letters but I forgot most of what it looked like so it’s not quite right
  • Collecting cool shit from the mainland is super helpful to your brother’s people’s rich historical heritage! It’s not just for making fun of his job
  • Elros is sticking his tongue out at him.

vinyatar:

crocordile replied to your post: “vardasvapors replied: color or b&w? how about a character you’ve never done before”

I LOVE HER JEWELRY AND EXPRESSION

“something is rotten in the state of numenor”

amandil, delicately: could it be the stench of the burning tree, my queen? perhaps the white tree that your husband is burning within his temple?

tar-miriel: i smell it too, my lord of andunie, but please try to think outside of the box

fidelishaereticus:

madtomedgar:

So were there just rainbows everywhere in aman whenever it rains? Because the clouds wouldn’t have blocked the tree light…

ffffff aman confirmed for the Absolute Gayest

(in all seriousness tho for a place thats supposed to have everything good, bertween no decay and no overcast weather its missing a huge part of my aesthetic)

*SLAMS DOOR OPEN*

*WHEEZE*

PLEASE LOOK AT THIS THREAD FROM A YEAR AGO IT’S FULL OF GOOD SCIENCE STUFF ABOUT EXACTLY THIS

i have two approaches to canon

scribefindegil:

  1. So if we extrapolate from this one-off line in episode fifteen, as well as this tweet by the creator and the answers given at this comic con panel from 2014, we can infer that this character’s relationship with salad is more complex than it first appears …
  2. *pulls down sunglasses and points a flamethrower at the source material* Death of the author, baby.
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