treasures-and-beauty:

Turban helmet,
blued, with pointed and twisted skull, surmounted by a square cusp, the
lower part engraved by floral motifs and cartouches featuring
gold-inlaid inscriptions in Arabic, provided with sliding nosepiece
cusped at the upper part, engraved and gold inlaid; complete with mail
neck-defence of simple closed iron rings; with inside stuffing.
Circular, slightly convex sipar, at the centre a plaque in the shape of
sun with anthropomorphic face, and a relieved gilt decoration depicting a
long snake woven around the four studs, the surface engraved with
floral motifs featuring gold inlays; at the back surface the lining, the
central stuffing and two handles.provenance: Turkey, 19th century

petermorwood:

A khanda broadsword from Rajasthan, Northern India, in the mid-1800s, with a couple of extras in the form of a katar punch-dagger and a single-shot percussion pistol. Decisions, decisions, which one to use first?

In fact given the Indian swordsmiths’ fondness for tucking away a hidden sting in the tail, there may even have been a version of this with a stiletto that screwed up inside the grip. Rather like these…

And the katar dagger could have been enhanced as well…

Indian weapons are a great source of inspiration for writers and artists who want something a bit OTT but with the realism that comes of having actually existed.

treasures-and-beauty:

Ottoman dagger, 16th c (grip and blade), guard 1774–89, steel, ivory,
gold; silver-gilt,

The ivory grip is
carved in the manner of objects made for the Ottoman court, blade
inscribed in Turkish and Persian (Ottoman court languages) “I besought a
drink of water from your trenchant dagger, what if but once you should
let me drink, what would you lose? If I thirst, his dagger is not laid
down”…

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