A rock crystal ball talisman mounted as a pendant in silver and decorated with stylised roses at each end. The sling mount is early seventeenth century and is decorated with punching in the form lozenges and pellets. Abrasions to the ball suggest that it might be considerably earlier then the silver work. It is contained within a fitted wooden case lined with velvet and covered in shagreen. English?, c.1620. Photographs: Author.
Tag: Queue Sera Sera
I started painting Maedhros and Maglor last night, inspired by the last kin slaying and the last attempt the two of them did together to get the Silmaril. That part really disappointed me, as I always saw the two of them as being better than their brothers and father, and I always forget about that last battle they initiate, so I felt compelled to draw them how I see them in that scene, most likely from the view of Elrond and Elros.
Still unfinished, but I hope to finish it soon, as it’s not the biggest drawing I’ve made in a while! 😊 let me know what you think! 😘

It turned out to be something else than I orginally planed but let’s sa I like it better.
Maedhros 1700′s au

SALMAR – Creator of the Ulumúri
A more unknown character from the Silm I came across, it’s not clear if he’s a maia, an elf or something else
But anyway, here he is ^^please don’t repost!

Inktober dia 24 BLIND: la compañía cruzando con los ojos vendados Lórien #tolkien #inktober… https://t.co/UnXLIQjmuz

~ Pair of Gold Earrings.
Culture: Roman
Date: A.D. 3rd century
Place of origin: Roman Empire
Medium: Gold, garnet

Five gold rings with garnets and/or carnelian.
Found in Turkey. Roman Imperial period, ca. 200 AD.
Source: Leiden Museum of Antiquities
The Silmarillion aesthetic | T u r g o n | King of Gondolin, The Hidden King
He was tall, wearing white with a gold belt and a crown of garnets, holding the Staff of Doom in his hand. At his side was Glamdring, the Foe-hammer.














