Darkness has no form, it can take any shape, always twisting, changing…
As the Master of Shadows Pitch is a perfect shapeshifter and use this ability to disguise himself. He mostly takes different animal forms, but the big black wolf is his favorite, because it mirrors the Nightmare King’s soul – untamable, fierce, proud and lonely. And that’s also why he has scars on his nose.
» AGE: ancient » SPECIES: maia/umaia » GENDER: not sure, uses female pronouns » SEX: all balrogs are the same sex » ORIENTATION: pansexual » TITLE: –
o2. PHYSICAL ASPECTS.
» HAIR: a fiery mane in the form of a mohawk, stretching from behind her horns and all the way to her waist. in her human-like form her hair is black and wild » EYES: bright yellow. when she is angered or going to war her eyes turn almost white. she has no pupil, not even in her human-like form » SKIN: thick, hard and rough like dried lava. extremely hot to the touch. littered with scars and deep gashes from where she releases her flames. in her human-like form her skin is calloused and dry » HEIGHT: 20 feet in her war form, shorter when resting or posing as a human » WEIGHT: fucking heavy in her regular forms, almost weightless when shifting to shadows » BUILD: heavy, burly, muscular, with most weight situated around her shoulders, back and chest. her legs are long and strong, her arms thick and heavy. she has a short neck, and a long tail for balance
o3. FAMILY.
» SIBLINGS: – » PARENTS: eru ilúvatar, morgoth » GRANDPARENTS: – » CHILDREN: none in canon-verses, some in AU-verses » OTHER RELATIVES: –
o4. SKILLSET.
» ABILITIES:
regarding body, mind, and spirit — immortality, extreme strength, ability to fly, accelerated healing abilities, durable in all conditions apart from water, highly aggressive, fearless, does not feel pain
regarding magic — wields fire and shadow
regarding combat — extremely effective in close combat, wields a large, flaming blade and whip, does not relent until killed or called away by her master, uses fire, smoke and shadow to kill and wound enemies, very high stamina
» LANGUAGES: balrog speech, morgoth’s speech, ancient quenya, ancient orc speech/black speech, other forgotten languages, some common speech during the third age
» HOBBIES: wrestling, brawling, fire baths, singing, stone carving
» COLORS: red, orange, yellow, gold, black » SMELLS: fire, charcoal, charred flesh, sulfur, smoke, rock, morgoth, gothmog » FOOD: any meat, any bones, rock, minerals, crystals, wood » DRINKS: none
REPOST with the information of your muse, including headcanons, etc. If you fail to achieve some of the facts, add some other of your own! When you’re done, tag 15 other people to do the same!
> Now tag other 15 people to do it! tagging anyone who wants to fill this out!
your name makes me want to spit fire, release hellish destruction, and rage in the dying light. your name makes me want to burn this town down. your name makes my stomach churn in pain because you have destroyed everything i loved.
Melkor and Thû React to Noldor Sass, Part 1 of ???– RivkaZ 2016
My blog’s reaction sketches are getting out of hand. I need to do some real costume sketches for Sauron’s wolfy warlord outfit because I like where that cape idea was going…
My favorite part of all these live-steel, full-armor demos is that everyone hugs it out at the end.
“I love you man” *clank*
@maire-annatari #anguirel #maire loves shiny sharp objects #//speaking of perfectionism… #//isn’t ‘greatsword’ one word? #//or am I just being an übergermanic compoundwordmonger again?
My spellchecker and wikipedia both tell me “great sword”, two words. I am also a chronic spellingcompounder who wordmerges whenever possible, and my first instinct was to omit the space as well. xD
More Gondolin reference stuff. I needed to make a sword that matched with my Eöl’s Gothic sensibilities, was mean and lean enough to be the twin of Anglachel/Gurthang, AND looked like it was inspired by dwarven craftsmanship.
I chose a great sword for the design after seeing some truly elegant videos of longsword techniques in use. It’s appealing to me to think of Maeglin using a big mofo of a sword with surgical finesse.
TRIPLE REBLOGGING MYSELF because not only did I need edit the type of sword I called it, but I decided to take off the useless little flange at the end of the blade.
Being the die-hard classical fencer that I am (er….was) I always turned up my nose at the historical fencers in college who were all avid D&Ders with a lot of enthusiasm and no finesse. SO I HAVE MY BIASES but obviously there are more and less authentic ways of going about recreating historical combat.
Not having the convenient circle of SCA buddies on hand that I used to, I have turned to the blessed font of Youtube to get me familiar with long swords.
I always need to have visual references for my art and writing. I need to see a thing in action before I can describe it or imagine its use, so this stuff is basically priceless to me.
Anyway, here’s some good fodder for imagining your favorite first-age elves beating the holy living snot out of each other.
Intermediate SCA Greatsword Technique – The first one shows some of the basic parries and thrusts for longsword, which was a great refresher for my fencer’s brain. All the same basic principles of parrying and getting inside the opponent’s guard are there, just adapted for a wide swinging, heavier weapon. It’s surprisingly precise! Also the instruction is very slow and clear so it’s easy to follow.
Claymore vs. Longsword – The second one shows the same moves in action, with the additional bonus of hotties in black body armor.
Longsword Techniques–Another great longsword parry and thrust video, slightly more advanced than the first one.
Two-Handers / Blade “Horns”/ Sword Guard Proportions– The history and development of your big fuckoff two-handed great swords, followed by an explanation and theory about those iconic “horns” on the blades of great swords, and an explanation about the proportions of these swords.
Two-hander vs Six Rapiers–In the above videos, a technique was mentioned of using the momentum of the two-handed sword to achieve a defensive windmill effect. Here’s that in action against six opponents. Rad as heck.
Monante vs… – In a similar vein, an interesting playlist of a great sword user whittling down a group of opponents. This one is quicker paced.
I’m pretty in love with half-swording. The idea behind half-swording is basically that, when faced with an opponent in full armor, it’s useful to use Every Part of The Sword; including the pommel and cross-guard. With half-swording you grab the blade mid-way in order to get better leverage and precision in a stab. The technique’s purpose is basically to dent armor, stun your opponent, and then deliver precision stabs to weak points in their armor with extra leverage– essentially turning your sword into a makeshift percussive weapon like a war-hammer or mace.
Unfortunately I’m having trouble finding good videos of this technique in use. Most of them are a bit…. flail-y?
Half-swording demo – Same fellow as before, giving a thorough demonstration of how one can effectively use half-sword techniques without hurting one’s self. –He does not mention that many swords were only sharpened at the tip specifically to facilitate this technique, sometimes adding a ricasso or sub-hilt for the same purpose. (Though to really get the right leverage on a stabbing blow, you’d have to hold your sword a lot closer to tip).
Armor and Halfswording Lessons– This is part of a series of parrying and grappling half-sword technique instruction. Slow and easy to follow; shiny armor; sexy accent.
Bashing vs. Halfswording– This is the best demo I can find of this technique in use. Doesn’t this look fucking vicious? I love this. Kudos to these guys!!
Armored Longsword Demo– Another great demo, this time in full armor with live steel. These guys go in and out of half-swording throughout the duel.
Armor Mobility and Grappling– A quick series of demonstrations concerning maneuverability in full plate, with some bonus take-down methods for messing up other people in full plate.